Showing posts with label new painting. Show all posts
Showing posts with label new painting. Show all posts
"His reliance on the grid anchors his work to the architecture of the canvas, as his saturated color palette recalls the tawdry glamour of Los Angeles, the artists’ home. "

-Robert Overby: Paintings from the 80's





"if they could see me now, booming and zooming,
if they could see me now, booming and zooming" (here)


Fredericks & Freiser and Andrew Kreps Gallery are pleased to collaborate on an exhibition of Robert Overby’s late paintings. Paintings from the 80’s will include a selection of Overby’s large-scale works that constitute the artist’s last major series.

Beginning in 1969, Robert Overby (1935–1993) produced an eclectic body of work that was rarely exhibited in his lifetime. Despite a diversity of mediums and an equally wide range of subject matter, Overby returned consistently to the human form. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 60’s and early 70’s experiments in anti-form, process art, and post-minimalism. His 1980’s image paintings are post Pop combinations of figure and abstraction that explore similar issues of surface, decay, and the skin between the real and its incorporeal other.

Overby’s paintings recall both the acuity of renaissance-style painting and that of graphic design. His reliance on the grid anchors his work to the architecture of the canvas, as his saturated color palette recalls the tawdry glamour of Los Angeles, the artists’ home. Simultaneously culled from high-end fashion magazines and pornography, the women of Overby’s quasi-figurative paintings are disembodied from the forms they suggest. Additionally, the shapes that impose themselves upon their bodies and faces further enhance this sense of removal.






----------------
new works by Abel Auer

"They are dream worlds, parallel worlds,

contrary to the artist’s own urban living environment."






Abel Auer: In the future
till 10 December 2010 at Sies + Hoke

"The American philosopher David K. Lewis says that everything we can think of inherently contains the possibility of existence. Abel Auer goes one step further. He constitutes a possible world not only on the intellectual level, he shows it to the viewer in his paintings. The question of whether this world is parallel, alternative or contrary to ours remains unanswered. The unshakable duration of this reality is based on his use of unreal colors, bizarre shapes and distorted perspectives, culminating in the borders of arabesque crochets.

..

Sentimentalism and nostalgia are manifest in his paintings, the longing and the substitute for a lost nature
. At once they are personal and reaching to an universal level of human understanding. The figures creeping through fantastic landscapes are reminiscent of heroic characters in the works of Poe, Kafka, Baudelaire or Ensor’s paintings. The strange other-worldliness and unity of the self-contained, hermetic world is drawing the viewer into the narrative, testing his or her sensitivity. 
Abel Auer’s images are an exploration of 19th Century landscape painting... They are dream worlds, parallel worlds, contrary to the artist’s own urban living environment."


all text taken from here..








--------------------
David Hammons & Stephen Knollberg

"when paintings become the room"























"when paintings become the room"



David Hammons, an African-American installation artist, performance artist, and sculptor, Hammons is primarily known for his work in and around New York City during the 1970's and 1980's. Influenced by Arte Povera, Hammons work speaks of cultural overtones; employing provocative materials such as elephant dung, chicken parts, strands of hair, and bottles of cheap wine. Centered in the black urban experience, Hammons often uses sarcasm as a means of confronting cultural stereotypes and racial issues. Hammons was the recipient of the MacArthur Fellowship in July 1991."


go here...





---------------




Stephen Knollenberg has been working as an interior designer since 1996, establishing a firm in his own name in 2002. He designs both contemporary and traditional interiors, often combining elements of each. Innovation, editing and style are basic fundamentals of his work. Clean, timeless interiors are created by combining the best elements in design, old and new, into balance.

By incorporating unique and individual pieces, the designer creates atmospheres that are at once collected and original. Stephen's work is at home in the most elegant urban surroundings as well as relaxed weekend retreats. His environments have visceral appeal. "When everything that is placed in a room shares some connection—a common thread—something happens. There is a sweet spot where composition, balance, color and form come together.



go here...













--------------------
strangely found but lost.
strangely found but lost.
strangely
found but lost.
strangely found but lost.
strangely
found but lost.
strangely found but lost.



























strangely found but lost.




1. Ken Weathersby, new work in progress,
AQUA ART FAIR - Miami - with Horse Trader Projects Dec. 1 - 5, 2010


2. Michael Riedel










----------------------------
3 L.A.
shows
opening

this weekend.
















































3 L.A.
shows
opening

this weekend.

Gonna be a busy weekend!

1. Mimi Lauter at Marc Selwyn, Sept 10, at Marc Selwyn... go here.
2. Ester Partegas, Less World, at Christopher Grimes, go here..
3. Brad Eberhard, New Paintings, Sept 11, 2010 at Thomas Solomon Gallery, go here..















-----------------------------
new work
by
connors
at canada
this fall.


















Matt Connors.
October 22 – November 21
@ Canada, New York




ah. hoping to be in new york if i can get
my act together for the opening of this show.








---------------

COLOR STUDY FOR A NEW ROOM.

the darkness
will lead
us home.










---




"A colour is transparent or opaque, lighter or darker, pure or broken, ex or introverted. To these measurable qualities come the sensations that they cause, which are affected by individual associations.

The factors which affect these qualities allude to the interplay of material and structure, of size, format and position in space, of what is meant and not meant."




---









"the darkness will lead us home"

two paintings:
1. Caro Nieder,"View fro the Pink Sofa" 2009 c/o Hauser and Wirth
2. Emanuel Seitz, Untitled 2010 c/o Jacky Strenze Galerie

C h r i s M a r t i n

chris
martin
at
daniel
weinberg
may 1 - may 29













CHRIS MARTIN
Tree
1986-2009
Oil on canvas 38" x 24






----




"It's like being inside and outside at the same time. On the one hand you are in trance, on the other hand you are watching yourself paint. And I think the key is that when you are watching yourself paint you don't judge, you just watch. The less I judge the more I can actually create and see what I'm doing. "



-------




"I wish we could all wish for not knowing what we are doing. But in a good way. I think there's a sense of freedom that comes from everybody not being too sure what they're doing. Someone once said about New York in the early 1950s, late '40s, after Expressionism was sort of bursting onto the scene, "There was a moment, maybe six weeks or so, when no one had any idea how to make a painting." And that's a lovely idea, that we don't know what we're doing…"






(I missed the show last summer at Micthell-Innes and Nash,
but really excited to see Chris Martin's work here in Los Angeles.)







Chris Martin....







-------



when
rooms
become
paintings,
and such.




































































w
hen

rooms
become
paintings,
and such.



1. Andro Wekua
2. Katherine Bernhardt
3. Matt Connors
4. Katharina Grosse



----

157(j) arrives in LA....

Ken Weathersby
(upcoming LACE auction!)

more
here...









"157(j)"

2008
Acrylic & Graphite on Canvas
with Removed and Reversed Area
36" x 24"
















detail......





Ken's beautiful work arrived in Los Angeles
this week... Auction catalog for
LACE should be online soon.....
I'm so excited that Ken Weathersby's work is
part of this year's auction...

go to LACE here..












....for all those who are in NY, or will be in NY,
go check out Ken Weathersby's work at the Painting Center...




CONTINUING COLOR ABSTRACTION
A group show curated by Rella Stuart-Hunt.
Exhibition: April 13 - May 8, 2010.
go here..



THE PAINTING CENTER
has moved into its new space:
547 West 27th Street, NY, NY.







Ken Weathersby
(upcoming LACE auction!)

more
here...
sitting
in
for
art's
sake.




james hyde,
big beanbag, 2005

Acrylic on linen, inflatable packing stuffing, 72 x 72 x 72 inches




"James Hyde’s “Big Beanbag” sets the intellect on a crash course with reality.
The swollen blob of a sculpture, with a diameter of roughly 6 feet, resembles an oversize beanbag chair or a beach ball gone wrong. Made of linen and inflatable packaging material, Hyde’s lumpen abstraction is also a 3-D painting, its surface covered with untidy swipes of acrylic in an organic palette of overripe vegetables and creamy pastels. Hyde makes the misbegotten mélange look unlovely yet sumptuous, a deflated ideal with its own funky spirit."


text taken from here.










.



























1. sue williams, c/o david zwirner
2. antonio sanfilippo c/o atelier blog, here.
new work: new york: next weekend.


Matt Connors, Arturo Herrera, Merlin James
December 10, 2009 - January 23, 2010

Sikkema Jenkins and Co.







Arturo Herrera



















Matt Connors




















Merlin James










go to Sikkema and Jenkins here..
there
is
love
in
you
.






(christian sampson, above.)




























four tet
album coming soon.

Four Tet recently announced plans to release his new album, entitled There Is Love In You, on January 25th. It’s Kieran Hebden’s first full-length album in over four years.
vintage wallpaper
and psychedelic
architectural
landscapes.

oh yeah....





Now, that I am on the UCLA campus three days a week, I'm excited to spend more time at the Hammer Museum. I find this to be one of the most exciting programs happening in Los Angeles at the moment. This upcoming exhibition, opening on October 4, is curated by Robert Gober. This exhibition will feature some of the wallpapers Charles made as a wallpaper designer, in the early 20's, and they will be installed on the walls. So excited!











Heat Waves in a Swamp: The Paintings of Charles Burchfield
Hammer Museum, Los Angeles













Sunflowers (design for M. H. Birge & Sons Company wallpaper), 1921.
Watercolor and graphite on paper mounted on board, 27 1/2 x 20 in.


Heat Waves in a Swamp will be the first major Charles Burchfield exhibition to be mounted on the west coast and the first in New York for more than twenty years. Arranged chronologically, it approaches Burchfield’s work with a new perspective facilitated in part by the curatorial sensibilities of Robert Gober. Working with Hammer coordinating curator Cynthia Burlingham, Gober has augmented a large selection of watercolors with the inclusion of extensive biographical material that continually infuses Burchfield’s own thoughts about his work and artistic practice. An obsessive collector, organizer, and archivist, Burchfield left a treasure trove of well-maintained sketches, notebooks, journals, and doodles spanning his entire career. This material is now part of the Burchfield Penney Art Center at Buffalo State College, which houses more than twenty five thousand objects by this visionary American artist. The exhibition will travel to the Whitney Museum of America Art in New York and the Burchfield Penney Art Center.

Although aware of the art of his time, Charles Burchfield spent his working life immersed in his own local environment in upstate New York, trusting and then challenging his creative instincts, often looking backwards in order to go forward, and steadfast in his belief of “the healthy glamour of everyday life.” His paintings vibrate with color and sound like visual symphonies where the humming of insects, rustling leaves, bells, moonbeams, and vibrating telephone lines are woven together to reveal the beauty and power of the American landscape. Side by side with his journals and notes these paintings explore both physical and psychological terrain. Edward Hopper, fellow artist and close colleague, once said that Burchfield’s work "is most decidedly founded, not on art, but on life, and the life that he knows and loves best.”

taken from Hammer Museum Blog here..

Rj Messineo.. more here.






Steve Turner Contemporary presents WET PAINT: Ten Young LA Painters, an eight day exhibition showcasing works created during the past few months by ten talented local artists. The process of selection began with recommendations from local instructors and other artists, and over the course of four months, the original pool of one hundred and fifty candidates was gradually reduced to ten artists: Daniel Cummings, Michael Dopp, Greg Kozaki, Anne McCaddon, Caitlin Lonegan, RJ Messineo, Michael Rey, Ana Rodriguez, Conrad Ruiz and Rowan Wood.

Wet Paint will be on view for eight days only, from August 22 through August 29, 2009. During this week, from Saturday to Saturday, the gallery will be open every day from 11 AM to 9 PM. Each evening from 6 PM to 9 PM, at least two of the painters will be at the gallery to discuss his or her work.


go to steve turner gallery here..






“In order to say what you really want to say, you have to start learning how to not
say what you want to say. Then you will learn how to speak clearly. But once you learn how to not say what you want to say, do you really need to speak?”

- Kaz Oshiro





























"I always had troubles because I was self conscious about my work. I felt like it was like showing my emotions and I didn’t really like that feeling. From there, I wanted to find a different way to express my ideas. “If I make functional objects out of canvas,” I thought, “I don’t have to deal with that kind of guilty feeling of making art, the emotions.” So I just made ordinary objects. It looks like an object just sitting there. I liked that idea. I wasn’t interested in telling people about what I do. I never really wanted to speak loudly in art making."





Kaz Oshiro (all images)

(2nd and 3rd image from Rogue Wave Projects, at LA Louver , Venice CA.)


"Exploring the extremes of trompe l’oeil realism, Kaz Oshiro (sculpture) uses the traditional medium of paint on canvas to create modernist wall bound sculpture forms that may be viewed as surreal, fetishistic objects. Oshiro’s constructions present physical illusions and abstract materiality at the same time, compelling the viewer to distinguish for herself fact versus fiction."







Patrick Michael Fitzgerald
see more of his work here.
(all images)

taken from an interview with Patrick Michael Fitzgerald..... here.

"The new work is more to do with the morning. A year or so ago it came much more from the realm of night: towards a dark light. Now it is luminosity I’m after. Morning suggests clearheadedness, so there is a more direct touch and certainty in the application of paint and in the drawing elements too. Familiarity can be both a curse and a blessing…"

"I recognise the inherent risk involved but I also expect something in return, I ask a lot from a painting. Sooner rather than later most of my paintings reach a stage where they are quite acceptable; they adhere to certain rules or a formal correctness, they become “good” abstract paintings, but something is always lacking. This moment is crucial… then I always change them. It is like a backward correction. I overpaint them entirely or partially, maybe scrape half of it back to the support or canvas and just leave it like that. The over-painting often takes the form of over-lapping or layering with the obvious temporal implications."












“Where others go on, I stand still”. Despite this, I feel I must say that I do not deny the idealising impulse…a kind of ideal painting in my mind. I would even say that this is probably my core motivation. I have always been very interested in those painters who have taken the art of painting beyond what was conventionally expected of it. In that respect what I am doing is not a “deconstruction” of this tradition at all. In the Jewish tradition, it is said that the Messiah is coming, but never now: a suitable metaphor perhaps."

read enitre interview here.
(unknown pleasures.)











(katy heinlein)
via wellgoodyeah..., visit katy's images here.












(top images by donald moffett)


















(ken weatherby)
inspired by genevieve.... here.












(kim fisher)






the destruction/reinvention of the canvas support.
to reveal what is not seen. to acknowledge the entire support/flaws.
attempting to show what is not there.