Showing posts with label abstraction. Show all posts
Showing posts with label abstraction. Show all posts
James Siena @ the pace gallery, ny
Mar 25, 2011 - Apr 30, 2011

“all work is an affirmation of being human, of being in this particular container [the body] with locomotion and holes for intake and output […]; motif and variation are placeholders, in part for the architecture of my consciousness, and ideally they are on a steadily rolling feedback loop."




























For those in New York, or passing through, James Sienna is showing new works at Pace Gallery. His abstractions have melted my mind for quite sometime. Reminiscent of the mazes I would draw in grade school, attempting to pass the time quietly. 20 years later, I'm still looking for these mind puzzles, in rugs, in parking lot structures, in floorplans, or in my coffee grounds. Abstraction and geometric puzzles, a place to pass the time quietly.
Most on enamel, his surfaces are really the draw. The brushstrokes are gentle and vivid, and need to be seen by the human eye to be fully appreciated.




"James Siena
is known for his unique process, creating intricate geometric abstractions driven by predetermined self-imposed sets of rules, or “visual algorithms.” By establishing a basic unit and action and repeating it ad infinitum, Siena allows the unpredictability of his self-generated system to govern the final outcome of his complex picture plane, while still maintaining the presence of the artist’s hand. The exhibition features twenty-three new glossy enamel on aluminum paintings, and thirty works on paper; together, the painstakingly crafted works demonstrate that even a small change to an initial variable produces vastly different end results.

As Siena’s repeating patterns, sequences, curves, loops, and interlocking combs entwine and unwind, his abstractions become matrices for investigations into liminality and mutate into biomorphic forms.

Siena once explained that “all work is an affirmation of being human, of being in this particular container [the body] with locomotion and holes for intake and output […]; motif and variation are placeholders, in part for the architecture of my consciousness, and ideally they are on a steadily rolling feedback loop.”





works and text above by james sienna, sourced from the pace gallery


in sequence:
1. triangle sequence path (second version), 2011 graphite and ink on abacá paper
2. Two Sequences, 2009 enamel on aluminum







--------------------
Los Angeles: 4 paintings
November spawned a monster.


For those that delight in painting, Los Angeles
is a lucky place to live this month.
maple leaves, and kool-aid delusions.
















Joan Mitchell,
Maple Leaves Forever 1968
at Gagosian, Beverly Hills,
now till Nov 6... "Masters of the Gesture."

























Katharina Grosse

Mr. Caplan, Nov 6 2010 - Jan 8 2011,
Christopher Grimes Gallery, Los Angeles

(she's back in LA! seems she might be working on the canvas
and not the walls this time around....
)






















Kyle Field November 6 – December 18, 2010

Taylor De Cordoba is pleased to present Waxing Marks, an exhibition
of new works on paper by San Francisco-based artist and musician, Kyle Field.






















Tyler Vlahovich

I Drank the Kool Aid November 5 - December 4
at WPA Los Angeles....













Los Angeles: painting

November spawned a monster.

For those that delight in painting, Los Angeles is a lucky place to live this month.
maple leaves, and kool-aid delusions.




-----------------
matt connors
new work
at Canada!







installation of current show, You Don't Know.




"Some of these emblems are gleaned from everyday usage and seem oddly familiar. Some of them are mysterious and open the door to the possibility of private meanings. Exploring the idiosyncrasies of personal vision while directing the viewer in a loose, yet insistent way, Connors’ paintings elicit an emotional and visceral response while at the same time allowing for a range of intellectual questions. It has been suggested that Connors’ pictures are not so much abstract paintings as paintings of abstract paintings. In some sense this is true, yet, at the same time, Connors' paintings have a not-to-be overlooked handmade aspect that thoroughly grounds viewer and object in their own space."



- taken from cherry & martin, here...







new work matt connors

You Don’t Know,
October 22 – November 21

at Canada Gallery



2011
Dallas Museum of Art, Dallas, TX (upcoming)
Lüttgenmeijer, Berlin, Germany (upcoming)








-------------------------
3 L.A.
shows
opening

this weekend.
















































3 L.A.
shows
opening

this weekend.

Gonna be a busy weekend!

1. Mimi Lauter at Marc Selwyn, Sept 10, at Marc Selwyn... go here.
2. Ester Partegas, Less World, at Christopher Grimes, go here..
3. Brad Eberhard, New Paintings, Sept 11, 2010 at Thomas Solomon Gallery, go here..















-----------------------------
Nicolas Carone,
1917-2010

"One of the last surviving Abstract Expressionist painters,
died on July 15 at his home in Hudson, N.Y."

















"Mr. Carone was present at the beginning of the New York School and friends with Jackson Pollock, Willem de Kooning, Mark Rothko and Lee Krasner. But his best work may have come long after the style faded, in the large paintings in shades of black, white and gray that he made during the last two or three decades of his life. The shifting lines and layered brushwork of these works most completely integrated the classical figurative tradition he absorbed during his earliest art studies and the instinctive painting processes of Abstract Expressionism.



Mr. Carone was born in June 4, 1917, on the Lower East Side of Manhattan, the eldest of seven children of Italian immigrants. He grew up in Hoboken, N.J., where his father was a bartender, and began drawing at age 4. When he was around 11, his mother sent him to the Leonardo da Vinci Art School on East 10th Street in Manhattan, which offered instruction for a small tuition. "




read Roberta Smith's NYT article here..







---------------------




kim fisher
painting























David Barr
1955
lacquered wood

fritz hansen



jonathan runcio
c/o contemporary art daily

at ratio 3
stephen westerfall
c/o lennon weinberg inc.