Showing posts with label color. Show all posts
Showing posts with label color. Show all posts
R G B
red, green, blue.



a simple background check on color.
pardon the dust.


















R G B
red,green,blue.

a simple background check on color.
pardon the dust.

"Roygbiv" is a song from Boards of Canada albums
Boc Maxima and Music Has the Right to Children




1. Samuel Hart Room, 1680


2. The Wentworth Room 1695

3. The Hewlett Room

The intense blue of the woodwork and the orange red inside the shell cupboard were both popular color choices at the time, and—after microscopic analysis of color chip samples—the Museum has replicated the exact hues of the original paint. The paints were specially made for the room, with natural pigments suspended in linseed oil.

The Dutch tiles around the fireplace opening, which depict biblical scenes, are not original to this room, but rather representative of tiles that were imported in the mid-eighteenth century. The room also includes examples of early eighteenth-century decoration on painted furniture, quillwork, needlework, and ceramics.

At the time the Hewlett Room was built, painters were being influenced by materials and decorative techniques from the Far East and India as the result of trade routes that had newly opened in the previous century. Painters imitated lacquer ware with a method called "japanning," in which a dazzling array of animals, flowers, and Far Eastern figures and structures were depicted in gold leaf and paint on polished black backgrounds.





via the met museum....





-----------------------
the
new
green.






"Green is also known to have signified witchcraft, devilry and evil for its association with faeries and spirits of early English folklore. It also had an association with decay and toxicity"


The Wizard of Oz:
"In this story is the Emerald City, where everyone wears tinted glasses which make everything look green. According to the populist interpretation of the story, the city’s color is used by the author, L. Frank Baum, to illustrate the financial system of America in his day, as he lived in a time when America was debating the use of paper money versus gold."





image above:
John McCracken
Green Block
1969








--------------------

COLOR STUDY FOR A NEW ROOM.

the darkness
will lead
us home.










---




"A colour is transparent or opaque, lighter or darker, pure or broken, ex or introverted. To these measurable qualities come the sensations that they cause, which are affected by individual associations.

The factors which affect these qualities allude to the interplay of material and structure, of size, format and position in space, of what is meant and not meant."




---









"the darkness will lead us home"

two paintings:
1. Caro Nieder,"View fro the Pink Sofa" 2009 c/o Hauser and Wirth
2. Emanuel Seitz, Untitled 2010 c/o Jacky Strenze Galerie

when sculptures become buildings

julian opie
vs.
anne truitt
vs.
renzo piano










































Having taken off from the houses, trees, fences, and fields of my childhood...
I very soon found that I was leaving the literal object behind...
I discovered form and color, and ultimately to the work
I am doing now, at once more austere in structure and more expressive in color....

Anne Truitt on form and color, May 3,1975

























"Project architect and associate Maurits van der Staay, describes the placement of each colour (there are six different colours, including grey and light grey) as “informed random”.

He says it was Renzo Piano’s ambition to “make a joyful building in contrast to the surrounding grey stone and red brick by fragmenting the colour”. The process has been a little like working out a very complicated seating plan and has taken months of manipulating physical models to ensure the same colours never appear next to each other , that they relate appropriately to the surrounding buildings, and that each facet is positioned at the correct angle."


read more here..















julian opie
vs.
anne truitt
vs.
renzo piano

George Sowden

more color
in
design:
1981
2001




1981.



George J. Sowden was born in Leeds, UK in 1942. He studied architecture at Gloucestershire College of Art in the 1960’s. He moved to Milano in 1970 where he started working with Ettore Sottsass and Olivetti. In 1981, he was one of the co-founders of the Memphis Group, the design movement that had a significant impact on design aesthetics in the eighties.























2001.






It's amazing to see how George Sowden's

designs have changed through the decades..
while still remaining committed to color.
His catalogue is pure eye candy.





"SowdenDesign has designed and engineered mechanical and electronic products since the 1970's and our designs have consistently been at the forefront of emerging technology.

With dozens of international awards and a unique background as pioneers of the postmodern design movement, we're recognized as one of the world's leaders in product design.
SowdenDesign was founded in 1981, in Milan, by George J. Sowden and has grown over the years with important partnership relationships: Simon Morgan, Hiroshi Ono, Davy Kho and Franco Mele, and great collaborations with associates: Christian Hartmann, Stephen England, Cynthia Viale, Giovanni Amenduni, Christopher Coombes, Guillaume Delvigne and Tomas Ortiz Ferrer."






-----

Blue thunder.

considering
blue,
and a
way to go home
again.






Jason Irla
"I have no house, only a shadow." 2009







Blue: a noun.


1. The hue of that portion of the visible spectrum lying between green and indigo, evoked in the human observer by radiant energy with wavelengths of approximately 420 to 490 nanometers; any of a group of colors that may vary in lightness and saturation, whose hue is that of a clear daytime sky; one of the additive or light primaries; one of the psychological primary hues.









(unknown blue lamp)














"Thinkin' of blue thunder Singin' to myself Thinkin' how fast it moves
Feelin how it turns I was singin' somethin Out on Route 128
Thinkin how blue it looks Singin out aloud
My my blue thunder My my blue thunder."

-Galaxie 500, Blue Thunder.















couple: submissive and dominant
(two blue lamps)








2. Gloomy; depressed





3.
Dismal or dreary.
















Out of the blue:


1. From an unexpected or unforeseen source: criticism that came out of the blue.


2. At a completely unexpected time: a long-unseen friend who appeared out of the blue.







.






Ellsworth Kelly, Blue over Orange, 1964








Into the blue,

1. At a far distance; into the unknown: spontaneously take a trip into the blue.

















Cheyney Thomspon,
untitled, (blue-red)
2009











.








.

when colors cooperate.

color.
color theory.
color explosion.
when colors hate each other.
color crushed out.
color chair stacks.


































































when colors cooperate:


1. ugo rondine
2. frank stell, hotel lobby (?)
3. very good and proper, via man make home.. awesome blog.




.




.






"Josef Albers’s Interaction of Color is a masterwork in twentieth-century art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.

Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten representative color studies chosen by Albers. The paperback has remained in print ever since and is one of the most influential resources on color for countless readers."

go to yale press here for more info.










































josef albers.














.
studying
color
theory.
bedroom
style.
















































the munsell color system.




"In colorimetry, the Munsell color system is a color space that specifies colors based on three color dimensions: hue, value (lightness), and chroma (color purity or colorfulness). It was created by Professor Albert H. Munsell in the first decade of the 20th century and adopted by the USDA as the official color system for soil research in the 1930s. Several earlier color order systems had placed colors into a three dimensional color solid of one form or another, but Munsell was the first to separate hue, value, and chroma into perceptually uniform and independent dimensions, and was the first to systematically illustrate the colors in three dimensional space. Munsell’s system, and particularly the later renotations, is based on rigorous measurements of human subjects’ visual responses to color, putting it on a firm experimental scientific basis. "









color theory.
"Its power lies in its use of color."


"He was one of the great colorists of the 20th century"







cadmium radiance 1963

kenneth noland...






from ny times article,
by william grimes.

"With the rise of Pop Art, Minimalism and postmodernism Mr. Noland’s work, with its formalist rigor, fell out of critical favor. “Starting in the 1970s, there was a terrific reaction against Color Field painting and abstract art in general, which was in turn a rejection of Clement Greenberg,” said the art historian and critic Michael Fried, who organized the exhibition “Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella” at the Fogg Art Museum at Harvard in 1965. “He remains a great painter.”

Mr. Noland continued to pursue his high modernist program, undeterred and confident about the future of abstract art. “It’s a fertile field that we barely have explored, and young artists will return to it,” he said at a symposium in 1994. “I’m certain.”

color
culprits





















































































color culprits
1. carolina wilcke
2. liam gillick
3. jack featherstone
4. guy rougemont
color
push.






































Saskia Leek
via Ivan Anthony Gallery, here.
all images, 2009, oil on board.

want to bathe in this color!
(liam gillick)





"colors and shapes!
let's paint our houses with stripes of bold!
colors.... colors.... colors......
they affect us!
they effect us!
they infect us!
they connect us! (everybody sings all together)"


-lyrics by unknown music troupe.


















(richard telles group show now, "round up" now...)










unknown. the most beautiful balcony!











(painted houses.this image via ouno blog, a daily source of happiness.)












(matt connors, pure magic! some more images here.)







(gio ponti, 1954....)
















(you live your way, ill live mine!)






"colors.... colors.... colors......
they affect us!
they effect us!"
repeat three times....








geometric tiles...


"Let's share the blue of the towering sky
The green of the hills that run by
Leave the red of your heart to decide
If you cannot choose which colour to use

I'll always wait, it's never too late
To colour me in
To colour me in"

(lyrics by broadcast....)





andrea sala ... here...



"Today or next year
I'll always be near
if you want to colour me in


I am grey, still on the page
Oh colour me in
Just an outline, sketchy but fine
Oh colour me in
"

(a taste of grey here.., by broadcast)




(lamps, by Gerald Thurston)




"In Isaac Newton's time, it was believed that white light was colorless, and that the prism itself produced the color. Newton's experiments convinced him that all the colors already existed in the light in a heterogeneous fashion, and that "corpuscles" (particles) of light were fanned out because particles with different colors traveled with different speeds through the prism. It was only later that Young and Fresnel combined Newton's particle theory with Huygen's wave theory to show that color is the visible manifestation of light's wavelength."
from here..

The Opticks is a study of the nature of light and colour and the various phenomena of diffraction, which Newton called the "inflexion" of light.







(inaba, 2008, see more projects here..)

Prison?, we thought you said prism, 2008, Turin, Italy



























(jessica eaton, via i heart photograph)






"A good prism breaks down a beam of light and re-aggregates it by color. The better the separation of light into colors, the better the prism."













(sterling ruby)





color and its absence. primary colors.
(inspired by the horrors, primary colors, via andahalf..... and here....)