Sheats / Goldstein House : Los Angeles

Lautner Home tour
A sunny Saturday afternoon in the hills
of Beverly Hills, Los Angeles.











Yesterday afternoon I was invited to take the Lautner home tour, viewing 4 homes built in Los Angeles by Lautner. This tour offered behind-the-scenes access inside four of Lautner’s most significant Los Angeles homes, including the Harpel House (1956), Jacobsen House (1947), Schwimmer House (1982), and Sheats/Goldstein House (1963).

All afternoon, I've been slowly sorting through the images of the homes, and decided to post the Sheats/Goldstein House that was built in 1961-1963. The entrance to the home is down a long lush, narrow driveway that sculpts into the dense hill. Motifs of triangles, water, space, light, concrete, & cutout-forms run rampant in the design of this home. The house was serene and cool, even on a hot LA summer afternoon. At times, I felt like I was in an eagle's nest, high among the trees, and the smog of the city below.

I dare to dream of the colors of dusk these views would allow. I overheard lots of conversation about the hats, "touching with your eyes," and an all mirrored bathroom with a retractable ceiling (oh man!). But another one of the questions of the afternoon people kept asking is, "Who is James Goldstein, (the man who owns this home)?"


When a home became a sculpture
became a triangle
that opened a door to the future.












cardboard model of the James Turrell installation on the property.



"The skyspace, also called "Above Horizon" is an art installation located on a steep slope below the residence. The skyspace was designed by light artist, James Turrell, in collaboration with architect, Duncan Nicholson. The project is built in the same construction materials as the home. Originally, James Goldstein conceived this art installation as a collaboration between John Lautner and James Turrell, but Lautner died before being able to work extensively on the project. Now finished, the room features two portals, made by a local aerospace engineer, which fold away using carbon fiber composite materials. The room also contains a built-in concrete lounge to enjoy the thousands of hidden LEDs that flood the room every evening for the sky and light show." (more here)

still want to know more about a skyspace?
watch this video here...















Who the Hell is James Goldstein?, an excerpt from Interview Magazine.

"I realize I’ve become somewhat of a legend, yes.
And that has brought stories with it. . . .
But I like that."


"I didn’t know much about Lautner when I stumbled upon this house, but I knew I wanted it. Someone else had it under contract, and when he tried to renegotiate the purchase, I stepped in and bought it. When I was ready to start working on the house, I brought Lautner in to see it. He was shocked to see what had happened to it. One of the previous owners had just destroyed the place—he painted the concrete ceilings green and yellow. So we worked together for almost 15 years before he died, and I think he was really thrilled with the opportunities I gave him. As far as I know, it was the first time he was given the opportunity to design furniture and really work on the entire house, inside and out, and bring it up to its full potential."

"High in the hills of 90210 sits Goldstein’s humble abode. Originally built by Lautner in 1963, the house juts out in concrete triangles and clear glass rhombuses over a panoramic view of the city. Goldstein bought the place in 1972 and has been renovating, updating, and expanding it since 1980. It features all the accoutrements of a lifelong bachelor pad: TV screens come out of ceilings, portholes in the pool look into his bedroom, a James Turrell sky space sits on the bottom of a hill, parts of the clear glass roof retract to reveal a private jungle planted around the manse, and photos of Goldstein posing with famous people line the walls of the interior. “There has been construction going on literally every day for the past 30 years,” Goldstein says. His latest megaproject is a new structure in his backyard that will eventually contain his office, a fully functional nightclub, an offshoot terrace, and guest rooms—all located beneath a tennis court."


please read the whole interview with James Goldstein here..

Want to know more about the John Lautner Foundation, go here.

Mak Center.....












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THE MINIMAL LOFT : materials + light

.
"Earlier in my career I didn't think I had a look, but in the past five years, or so,
we've developed a spare look, that could be considered minimalist, although in spirit it is fairly modest"

- David Mann, MR Architecture + Decor








The images above are of a SOHO Penthouse Loft by MR Architecture + Decor, a firm based in New York, led by David Mann. A loft based on the repeated square, of sorts, and referencing Japanese design and minimalism. Rooms such as this one make me think of Lee Ufan, and Becky Beasely. An open box in the middle of the room floating on a sea of shiny blackness.

The materials are simple, raw, industrial, and quietly epic. MR Architecture + Decor continues to melt my mind with their projects, creating these timeless voids, where form + materials become the conversation. - David John



"MR Architecture + Decor is a 20-person studio led by founding partner David Mann, in collaboration with associates William Clukies, Robin Corsino and Robert Fuller. Based in New York City, the firm’s scope of work extends from ground-up construction and renovation to interior architecture, design and decoration for residential, retail and other commercial spaces.

The MR aesthetic is characterized by diversity and unified by an essential clarity. Design evolves out of intimate dialogue: between the client and the architect, between the architect and the site. The results reflect clients’ needs and desires, their unique characters as filtered through the MR vision; and reveal a beautifully calibrated balance between form and function.

With no singular mandated style, MR is free to take on widely disparate clients and projects. The common denominator throughout is a disciplined aesthetic that focuses on revealing the poetry in the most rational approach to space, proportion and light."


text above taken from MR Architecture + Decor

quote taken from 1st dibs profile here..

PRODUCT PORCH


a 6 month retail experiment at

Museum of Contemporary Art San Diego.....

"Nobody thought much about the front porch when most Americans had them and used them. The great American front porch was just there, open and sociable, an unassigned part of the house that belonged to everyone and no one, a place for family and friends to pass the time."

- Kahn, Preserving Porches





When Brooks Hudson Thomas of SPECIFIC asked me to come down to San Diego to talk about his latest project with Blaire Dessent of The Vitrine, I jumped at the opportunity. August 4, Thursday evening, will be the opening of PRODUCT PORCH in San Diego, and I could not be more thrilled to be there talking about their take on design, interiors, art, and craft. I have to admit, I've spent many afternoons in Brooks' LA store, in utter amazement of the work he has shown, and the environment he has created. SPECIFIC has been a constant source of inspiration for me, and I am happy to see the store continue to transform other cities. - David John


"Specific Merchandise
and Vitrine are excited to announce a new pop-up project:
PRODUCT PORCH, a six-month retail-experiment at the Museum of Contemporary Art San Diego. Invited by chief curator, Kathryn Kanjo, Brooks Hudson Thomas and Blaire Dessent are taking over the MCASD museum shop in the Downtown MCASD location at 1001 Kettner Blvd. throughout the run of the exhibition Phenomenal, which will be on view through January 22, 2012.


Among the artists and designers to be included in the shop are Jason Meadows, Brendan Ravenhill, Fern, Dino Sanchez, Sarah Crowner, Smockshop, Design Bitches, Tanya Aguiñiga, todosomething, , Soledad Proaño¿Adonde?, WELCOME, Workstead, Kimmel Kids, Objeti, SCOUT REGALIA, Makelike, and more....



"PRODUCT PORCH will serve as a laboratory for what a museum-shop could be and will feature new design objects, furniture and accessories made by emerging and established artists and designers, and will serve as a destination for new design and creative retail in San Diego. Continually rotating merchandise along with a series of interactive programs inspired by the exhibition will offer a reason for people to continue to return to the Museum.

Please join us at MCASD’s TNT (Thursday Night Thing) on August 4 from 7-10 PM opening celebration for the PRODUCT PORCH. Titled “TNT: Emerge,” the evening focuses on emerging design, music, and taste. Brooks + Blaire will be joined by David John of You Have Been Here Sometime , the acclaimed art and interiors blog, for an informal discussion about the PRODUCT PORCH and their respective projects. In addition to the debut of Product Porch, this will also be the first opportunity for many people to view the work of artists Larry Bell, Mary Corse, and James Turrell, whose work is being installed on a staggered schedule leading up to the official grand opening of Phenomenal: California Light, Space, Surface on September 25. Guests can also enjoy cocktails, art-making activities, artist talks, and live music....



See you there!






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THE ARCHITECTURE OF A LOFT


6 views

of a loft in Brugges








6 views
of a loft in Brugges

by Dujardin Filip via here...



--------------------------------
the sea pt 3.

"I feel enlarged and encouraged. "
- Frank Llyod Wright

"I wanted to get in touch with something more primitive
than my wandering and skipping brain.
"
- Vija Clemins






the sea pt 1.
"the sea is a long, long way from me
I'd go there if I had the time
but lying here will do just fine" - low


VIJA CELMINS: "Well, I found the work of the photorealists a bit dead, but I got interested in the photograph. I used the photograph as a guide, so I would not have to worry about the image. They are images within an image within an image -drawings of two-dimensional images. I was trying to bring the images back to life by putting them in a real space that you confront. I don't think anyone else was making work like this at the time, not clippings of disastrous events. Now they look a bit ridiculous to me.

They look almost too contrived. Of course, I didn't really think like that at the time. I remember thinking that the making of the image was reason enough to do it. It was about finding a touch; a way that the image could sit on the surface. The whole point for me was that even though art has been through a million things, I wanted to get in touch with something more primitive than my wandering and skipping brain." (here)


Mike Wallace: When you go out into a big forest with towering pines and [experience] almost a feeling of awe that frequently you do get in the presence of nature...do you not feel insignificant? Do you not feel small?

Frank Llyod Wright: On the contrary, I feel large. I feel enlarged and encouraged. Intensified. More powerful.




two into one: background art by vija clemins, chairs by frank llyod wright.
-----------------------------------
into the light.
they went.










"into the light.
they went."

a recent color board for: "a room created for the sea"

the daylight is scarce there, though the winds howl at night, like they are conversing with each other. a conversation of sorts between dawn and dusk. a fight for the right shade of green. A few of my favorite rooms & objects, compacted into one. Enjoy the layers separately, or together.

images combined:
vasa's light sculptures (i remember the day i visited his studio here in los angeles, and saw the light being made for the first time. here... I chatted with him, as assistants dusted the blocks into a shine. one called him "the most sensuous and sensational colorist of the southern California artists working in plastic." i could not agree more.

2 interior images by james huniford interiors, and axel vervoordt.
i've looked at these images for awhile now. the electric green monochrome painting has been colorized, adjusted, and compacted for our viewing pleasure. enjoy the square.

off to the sea to taste the salt.






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Swedish Sconce vs. Greene and Greene ("Rape of the Blacker House")

But oh ain't the nighttime so lovely to see?

Don't all the nightbirds sing sweetly?

You'll never know how happy I'll be

When the sun's going down.


- Gillian Welch








Swedish Sconce vs. Greene and Greene.

But oh ain't the nighttime so lovely to see?

Don't all the nightbirds sing sweetly?

You'll never know how happy I'll be

When the sun's going down.


- Gillian Welch




"The Robert R. Blacker House house was purchased by Mr. and Mrs. Max Hill in the 1950s. In 1985, recently widowed, Mrs. Hill sold the property to Barton English, a Princeton graduate and rancher from Texas, and Michael Carey, a prominent dealer of Arts and Crafts era antiques from New york City. Shortly after close of escrow, Mr. English hired a well known local antique dealer to remove more than forty eight original lighting fixtures for him. Later he also removed some of the leaded art glass doors, windows, and transom panels; only after commissioning a well known local studio to produce exact reproductions of the doors and windows that were to be removed.

Many of the original pieces were sold on the art market. This incident has been referred to as the "Rape of the Blacker House". National media attention to this sad sequence of events was facilitated through the efforts of Pasadena Heritage executive director Claire Bogaard. Articles appeared in the Los Angeles Times, Washington Post and New York Times. Pasadena enacted an emergency ordinance, known as the Blacker Ordinance, which attempted to limit the ability of people owning homes designed by Greene and Greene to dismantle or otherwise destroy artifacts therein. Although not a direct prohibition, the ordinance delayed for up to one year any changes or alterations, subject to review of a committee of the Planning Commission. Conservation-minded citizens guarded the Blacker house day and night to keep further fixtures from being removed." (from here)


S A D N E S S (via here)


over and over.


vincent van duysen
vs tredici & co. vs andre sornay

"over and over and over and over and over
the joy of repetition really is in you"
aka
"I'm a complicated being with love songs to beat.
I'm a problem solving baby who could march all night." - hot chip






"under and under and under and under and under
the smell of repetition really is on you
and when i feel this way i really am with you"


3 inspiring works by:
1. vincent van duysen for b & b italia
2. coffee table by tredici & co.
3. andre sornay


"André Sornay (1902-2000) attended the École des beaux-arts (fine art school) in Lyon before taking over the family business following his father's death in 1919. He completely revolutionised the company's production line, moving away from period furniture to create resolutely modern pieces. Influenced by Bauhaus and by the Stijl movement, which were both marked by the desire to synthesize art and architecture, Sornay belonged to a new generation of architects, artists and decorators who wanted to create new forms that were suited to modern life.

The UAM (Union of Modern Artists) counted a number of avant-garde artists among its members, including Pierre Chareau, Francis Jourdain, Le Corbusier and Charlotte Perriand, all eager to break away from tradition and to democratise art. André Sornay's creations are characterised by pure geometric lines, harmonious proportions and great practicality.

(text taken from Gallery Marcelpoil Gallery Paris, here)


The materials he used reflect the traditional and the modern; they include precious woods, permatex, rubber, Duco lacquer and metal. The clarity of his vision regarding the use of space prompted him to become an interior designer for a number of his local clients. "






all musical lyrics by the incredible hot chip.
"this is a warning, i'll spell it out for you."

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