Showing posts with label lamp. Show all posts
Showing posts with label lamp. Show all posts
Shigeo Fukuda

“I believe that in design, 30 percent dignity, 20 percent beauty and 50 percent absurdity are necessary,” he once told the Japanese design magazine Idea."










"Electric vigor series"








































read more here...
(thank you rodney and taka)



----------------------------
I wanted to design something
to suit the room.

Michael Anastassiades

Kinetic Lights










"On view at the London Design Festival 2010 at the V&A is Michael Anastassiades's Kinetic Light, swinging in the Norfolk House Music Room at the V&A, like a silent metronome. "I wanted to design something to suit the room," said the desiger.











Michael Anastassiades trained as a Civil Engineer and is an Industrial Design graduate from zhe Royal College of Art. After working as a freelancer for various design consultancies, he set up his own studio in 1994. Since then he has been developing his work as a combination of product, furniture and enviroment design - creating works which established a psychological dimension between objects and users.

For years Michael has produced his work in very limited quantities as editions of quality crafted pieces and small runs. In 2007 he set up a company to increase the availability of his objects. He travelled around the world and located small family run workshops to fabricate his pieces. The workshops were selected for their unique manufacturing skills and tradition in the use of materials."




I wanted to design something
to suit the room.

Michael Anastassiades

Kinetic Lights



-----------------------------

3 lamps.



























































the future
has (left)
determined
the past.





1. Angelo Mangiarotti, Ventagli table lamp, Italy, 1987 alabaster, enameled steel
2. Sergio Asti, lamp, 1990, via Wright Auctions.
3. Leslie Larsen, 1955, table lamp.







--------------------------------
lamp.














giving good lamp pose.
via wright auctions.
1980's feels/ felt so good.





-----------------------
Federico
Churba
the
hanoi
lamp.










"Apparent simplicity for a harmonious complexity of shapes.
This lamp is realised in one horizontal plane that acquires
form and volume through the bends of the material.

A formal simpleness defined by details.
A warm and intimate light,
like the kind gesture of someone
bowing down in greeting. "


via the contemporist, here



...





More light. series.

Rodolfo Bonetto

(Light)
closed.
opening.
opened.















































1929-1991
Rodolofo Bonetto

"Sistema Flu standard lamp, designed by Rudolfo Bonetto for Luci Italy (1981). Fully adjustable lamp, allows direct or indirect lighting through rotation of both arms. Standing on a triangular feet with vertical lamellas. Lamp can be mounted on a wall, ceiling or placed on the floor."

"Bonetto began his career as a design consultant for automobile manufacturers. He founded his own firm in 1958 and collaborated with Brionvega, Bilumen, Siemens, Autovox, valextra, Driade and Olivetti (since 1962). He received Compasso d'Oro awards in 1964, 1970 and 1979. His work includes the famous 'Sfericlock' for Borletti and the 'Quattroquarti' sectional table for Bernini."

Atelir Lamp...

"Made in California
Gabriel Abraham"

go to Atelier here.









Taken from La Times, here
by David Keeps.




"Living in a historic R.M. Schindler apartment in Los Angeles may be architecturally desirable, but for designer Gabriel Abraham, it did have one drawback: "The walls and ceiling were made of plywood, so it was very hard to install lighting fixtures." Abraham found inspiration in a photograph of the Potence lamp that French modernist architect Jean Prouve designed in 1950 for his La Maison Tropicale, a prefab metal house design erected in the Congo. The Potence, which is nearly 7 feet long, has been reissued by Vitra and sells for $1,560.

Working on a more modest budget, Abraham crafted his own, smaller version of the wall-mounted swiveling lamp, shown in the Schindler apartment above.

"Friends got to like it, so I started to make them as gifts and it caught on," Abraham says.

Now he produces small quantities in Los Angeles. The bent-steel lamps are available in black, white, gray and a natural oil-rubbed finish with 3- or 4-foot arms ($375 and $450). He also builds custom sizes.








.







Rooms.

"Room
of One's
Own"

(with lamp)



















































room of one's own. (with lamp)

1. gino sarfatti
2. 70's crazy big lamp! wtf?
3. it's a lamp, not it's a chair!





.

The Zodiac Lamp.

Zodiac lamp
Designer: Kho Liang Ie



























The Zodiac Lamp

Ode to Martin

More
Hanging
Lamp.
on,
off.





(lamps, unknown)






&

Martin Creed
at The Common
Glasgow.
here.

"Martin Creed likes opposites. On and off, open and closed, big and small, in and out, light and dark — versions of something and nothing. His work often sets up extremes and by doing so he opens up the space in between. Utilising commonplace materials from copy paper and cardboard boxes to dining room tables and office chairs, he presents the spectrum of possibilities we are offered every day and highlights the absurdity that can be found in the ordinary. Creed’s simple gestures often achieve dramatic results, and although not always immediately obvious, his approach to objects and materials can change the viewer’s idea of them forever."








lamp . on off.

Above and On the Table.

Heath
and
Adam Silverman:
lamps, and vases.
above and on the table.











Hanging Pendants made by Adam Silverman,
local ceramicist, whose studio is on Beverly Boulevard in Los Angeles.
image via here.
go to his site here.















easy combinations.

Heath dinnerware and Adam Silverman vase.
Commune linens....
(image via my iphone)















Align Center



Cathy Bailey and Robin Petravic's home, with Adam's glorious pendants,
slowly being installed. Awesome!
Amazing lamp over a dinner table.
Custom work done right.




"In 2003, husband and wife team, Robin Petravic and Catherine Bailey purchased Heath Ceramics with a mission to revitalize the company, by placing a strong emphasis on design, handcrafted techniques, and the reinvigoration of the company’s designer-maker legacy. Its dinnerware is used in the country’s top restaurants, such as Chez Panisse, Brasserie 44 at the Royalton Hotel, and The Slanted Door..."















Big Volcanic Vase, Small Yellow Flowers..
Perfect Table Setting with Heath.

go to Heath Ceramics here.







"Adam's passion for clay began 25 years ago at The University of Colorado. He continued his education at Rhode Island School of Design where he studied architecture, art & design. In 2002, Adam made the switch to full-time potter. Over time, his work has evolved from strictly functional pottery to a broader, more process-oriented investigation into forms and their functions. He creates vessels that combine clean, modern shapes with non-traditional glazes, which results in a wonderful balance between urban and organic, craft and design. Learn more about Adam and see some of his work here"

taken from heath website here..













upcoming Feb 2010,
"Hold It"

Play Mountain Tokyo.







.






Strawberry Kingdom here.
via contemporist here



"The Good King Henry lamp is made out of oak and powder coated steel tubes. It is surmounted by a fabric shade.

The authors were guided by the idea of a perfect workmanship. The simplicity of the structural elements stresses their functionality and the combination of the bright colours with the pale hue of the wood gives the object subtleness."

















materials: oak wood, steel, fabric
high: 180 cm
year of production: september 2009
authors: Dorota Kulawik and Jan Modzelewski
photos: Wawrzyniec Skoczylas
3
italian
lamps.












italian pivoting lamp
c. 1970
travertine, steel, frosted glass













arredoluce,
angelo lelli,
table lamp,
italian, 1958

















arredoluce, 1950's












all images c/o wright auctions.
gino
sarfatti
times
3.










































gino sarfatti, 1950's.





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