the damaged,
the transmuted,
the decomposed.
"Where is home?
Where is our safe haven?
How can we move towards such a place?"
Where is our safe haven?
How can we move towards such a place?"
David Maisel’s large-scaled, otherworldly photographs chronicle the complex relationships between natural systems and human intervention, piecing together the fractured logic that informs them both.
Maisel’s aerial images of environmentally impacted sites explore the aesthetics and politics of open pit mines, clear-cut forests, and zones of water reclamation, framing the issues of contemporary landscape with equal measures of documentation and metaphor. As Leah Ollman states in the Los Angeles Times, “Maisel’s work over the past two decades has argued for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.”
Dave Maisel
go to his site here..