Showing posts with label art and interiors. Show all posts
Showing posts with label art and interiors. Show all posts
"let's live like we want to live."
aka
"if we could escape the crowds somehow"

david hockney

&
kenneth noland
















Architectural Digest ran this article on artist's homes in 2009.
(Go here for more homes...) pink foyers oh my!


1. David Hockney’s hillside home on the West Coast is a constantly evolving stage set for the artist’s highly individual ideas. “Everyone who comes here likes it. People don’t dare such colors,” comments the artist. Above: In the entrance hall, a painted wood cutout by Mo McDermott and Lisa Lombardi represents a character in Hockney’s production of The Rake’s Progress. The 1979 Hockney lithograph is Celia—Weary.

2. In an old Dutch barn where livestock was raised a century ago, a different sort of creation now thrives—the art of Kenneth Noland. The barn, which he converted into a studio, shelters the “stuff” of his art, as well as its “illusions.” Above: Arresting images by the artist and a landscape painting by Mondrian are arrayed on master bedroom walls. A Moroccan rug mirrors the diamond motif of a patchwork quilt.













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“Today, I see my work as detached from the expressionism of the drawing.
This idea grew out of my experience in industrial design which is directed at the broadest possible public. My aim is to achieve an economy in the result which can’t even be defined as minimalist: a commonplace.

- Martin Szekely















This text taken from Six Constructions: An imagined dialogue... here... It's an essay on design and art and definitely worth considering when taking this voyage... Today, I'm sticking with monuments, but these monuments are smaller, and are side tables, as opposed to the cemetery I posted yesterday in Italy. Oh the simple delights of the cube, or the vertical rectangle. It makes no difference to me, they are shimmering, dense, gorgeous forms, that quietly will pull at your pant leg, as you drink a hot cup of tea.

Welcome to the weekend, warriors.




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"Design is cannibalistic. It feeds off itself.

In the wide field of visual culture, no single discipline (high or low, traditional or new, functional or purely aesthetic) has retained a sense of autonomy. Visual artists have cannibalized design to such an extent that the very notion of use-value can no longer be used to distinguish an “artistic” project from a “design” project. The post-utopian community and the furniture objects of Atelier Van Lieshout, Jorge Pardo’s house which is also his artistic opus in Los Angeles, and the functioning “Donald Judd bar” built by Tobias Reyberger fo the Munster Skulptur Projekte are all striking. Examples of visual artists blurring the boundaries of the desire of visual art to not only cannibalize its own history but also neighboring disciplines. Just like design.
Is it reactionary or visionary to think about the specificity of a discipline, to ask questions about the status of visual art and object production today? Is it possible to reconsider the fundamental issues that have been eclipsed by this process of blurring of disciplinary boundaries?"



please read full essay here....
























Martin Szekely, images:

1. Fake side tables, round and square,2007 aluminium, ebony Galerie kreo limited édition
2. Side tables Sam and AA, 2005 honeycomb, corian, brass or cork

via Galerie Kreo....
















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Commune & Reform Gallery

....
a chat about interiors/craft/california


when furniture became buildings,
when rugs became paintings,
when rooms became stories.

when interiors become community.











COMMUNE: Nichols Canyon, California 2010,

Stan Bitters fountain/wall, David Cressey pots....
image from COMMUNE




Last Friday, I had the opportunity to hear Roman, Steven, and Pamela from COMMUNE, and Gerard from REFORM Gallery speak about their work, and their individualized paths as interior designers, collectors, and gallery owners.

Commune expressed their dedication to working California artists. Supporting and seeking those in our community to extend the conversation about craft, art, and interiors, as well as hopefully passing down these crafts to other generations. COMMUNE has used Alma Allen, the mind-blowing sculptor in Joshua Tree, (who used to have a store in Venice), for almost every project, as well as Stan Bitters, a California ceramicist, for many projects. Also recent collaborations Decorative Carpets, as well as with Adam Silverman and HEATH.

Commune spoke about the POWER of handmade/crafted pieces utilized for their interiors, and the power these objects can have and their ability to shift the energy in the rooms in which they reside. Their work is able to seamlessly integrate notions of high and low, and other ideas that at first seem to contrast, but upon further glance, appear confident, and relaxed.

Gerard O'Brien spoke about Arthur Espenet Carpenter's, "Wishbone Chair", 1988, as well as David Cressey, Stan Bitters, J B Blunk ( the recent show at Blum and Poe), Evelyn and Jerome Ackerman (on view now! go!) , and the legendary California Design shows. Gerard spoke about the idea of objects being sourced from a PLACE, and commented how the "Wishbone Chair" appears to have sprouted from the wet forests of Marin. Hows that for terroir? Stan Bitter's works appear as raw earth carved from the hillside when incoporated into the Nichols Canyon ourtdoor patio. (see above image) It was obvious from this conversation, that Gerard has a focused and strong commitment to telling the stories of these artisans. Together, REFORM and COMMUNE are doing something pretty fantastic.

Have you been to REFORM GALLERY's reading room on MELROSE?

In response to a question from the audience, Gerard commented on the past of decorative arts in galleries, and the blurring between the two. The thought of art + decorative arts not being so compartmentalized is a thought that thrills YHBHS. Thanks for a fantastic talk about art + interiors.




when furniture became buildings,
when rugs became paintings,
when rooms became stories.

when interiors become community.




































top image: Arthur Espenet Carpenter's "the wishbone" chair" via Phillips de Pury
Bark Painting, J B Blunk Acrylic on re-claimed redwood bark Circa 1991 via REFORM gallery











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"COMMUNE was founded in 2004 as a collective focusing on enhancing life through design. We come from all over the world to share a vision and an aesthetic sensibility in everything we do. Our intent is not to dictate, but to facilitate through unconventional thinking and creative solutions. Our design process is a collaborative effort. Whether the project is a commercial space, a retail environment, a restaurant, a residence, packaging, corporate identity, or a website we approach it holistically. Our diverse backgrounds allow us to see the same project from many angles and to offer solutions that reflect this open-eyed attitude. "




REFORM GALLERY
is
6819 Melrose Ave,
Los Angeles CA 90038








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